During the past several months of painting in what I thought were inks, I’ve come to realise they might not be the same sort of ink, or even inks, at all.

Does it matter? In my case, no, because what I do is experimental. The papers, tools and inks are pretty much irrelevant, it’s the process that matters more than the equipment, which is how I prefer it.

However, I found it absolutely does matter when I have my work on show and curious artists ask me about my bold colours, the medium I use and my technique. In my naivety I suppose I didn’t think anyone would be that interested so I wasn’t pre-prepared with definitive answers to give, especially where inks are concerned.

SO WHY INK?
My ink experimentation is contrary to my past painting attempts. Originally using gouache and watercolour at school, I progressed onto acrylic paint in my twenties, attracted to their shiny boldness and the fact they were quick-drying. Nothing worse for me than getting out of creative flow waiting for paint to dry. This isn't purely down to impatience – I bore easily and move on to the next project quickly. You will not be surprised to hear I’ve never tried using oils...